Baroque Noto was built from scratch 9 kilometers to the south of Noto Antica after the destruction by the 1693 earthquake. It exhibits an outstanding example of town planning on a grid system. The artistic inspirations of three architects, Rosario Gagliardi, Vincenzo Sinatra and Paolo Labisi, dominate the architectural history of Baroque Noto and form a masterpiece of architectural unity.
The eight towns in south-eastern Sicily (Val di Noto):
Late Baroque Towns of the Val di Noto (Noto, Caltagirone, Militello Val di Catania, Catania, Modica, Palazzolo, Ragusa and Scicli) were listed as UNESCO World Heritage in 2002 for not only representing a high level of architectural and artistic achievement but also exhibiting distinctive innovations in town planning and urban building.
Here are the criteria of UNESCO for inscribing the Late Baroque Towns of the Val di Noto on the World Herritage List in 2002
The Late Baroque Towns of the Val di Noto in south-eastern Sicily provide outstanding testimony to the exuberant genius of late Baroque art and architecture.
The Late Baroque towns of the Val di Noto represent the culmination and final flowering of Baroque art in Europe.
The exceptional quality of the late Baroque art and architecture in the Val di Noto lies in its geographical and chronological homogeneity, and is the result of the 1693 earthquake in this region.
The eight Late Baroque Towns of the Val di Noto in south-eastern Sicily are characteristic of the settlement pattern and urban form of this region, are permanently at risk from earthquakes and eruptions of Mount Etna. “
“The property includes all the attributes required to express its Outstanding Universal Value, as it encompasses the most representative centres of the late Baroque period in the Val di Noto. The eight components of the property reflect the range of architectural and town-planning developments resulting from the post-seismic reconstruction in the Val di Noto after the 1693 earthquake. This earthquake created an opportunity for an enormous artistic, architectural, and anti-seismic renewal of the cities. The centres retain their residential function, along with a lively society of inhabitants.
The eight components of the property continue to demonstrate with remarkable homogeneity the late Baroque art and architectural style of south-eastern Sicily in individual buildings and town planning. In particular, the almost completely preserved town plans, which have seen only few alterations, express a variety of reactions to the destruction caused by the earthquake.”
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